This is the first Italian exhibition of the Belgian artist Noé Sendas born in Brussels class of 1972, based in Berlin where he lives and works. Noé Sendas uses as the title of the exhibition a term taken from literature, in vogue in the Italian courts of the sixteenth century: Sprezzatura. The term concerned some aspects of the conduct of the perfect man of the court and dates back to “Il Cortegiano” by Baldassarre Castiglione. Sprezzatura is none other than the ease of the court man who faces difficulties with balance and healthy detachment, which make him a perfect courtier